geographical_origin_of_music
OpenML dataset with id 44965
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Full work available at URL: https://api.openml.org/data/v1/download/22111829/geographical_origin_of_music.arff
Upload date: 22 December 2022
Copyright license: Creative Commons Attribution 4.0 International
Dataset Characteristics
Number of classes: 0
Number of features: 117 (numeric: 117, symbolic: 0 and in total binary: 0 )
Number of instances: 1,059
Number of instances with missing values: 0
Number of missing values: 0
Data Description
Instances in this dataset contain audio features extracted from 1059 wave files. The task associated with the data is to predict the geographical origin of music.
The dataset was built from a personal collection of 1059 tracks covering 33 countries/area. The music used is traditional, ethnic or `world' only, as classified by the publishers of the product on which it appears. Any Western music is not included because its influence is global - what we seek are the aspects of music that most influence location. Thus, being able to specify a location with strong influence on the music is central.
The geographical location of origin was manually collected the information from the CD sleeve notes, and when this information was inadequate we searched other information sources. The location data is limited in precision to the country of origin.
The country of origin was determined by the artist's or artists' main country/area of residence. Any track that had ambiguous origin is not included. We have taken the position of each country's capital city (or the province of the area) by latitude and longitude as the absolute point of origin.
The program MARSYAS was used to extract audio features from the wave files. We used the default MARSYAS settings in single vector format (68 features) to estimate the performance with basic timbal information covering the entire length of each track. No feature weighting or pre-filtering was applied. All features were transformed to have a mean of 0, and a standard deviation of 1. We also investigated the utility of adding chromatic attributes. These describe the notes of the scale being used. This is especially important as a distinguishing feature in geographical ethnomusicology. The chromatic features provided by MARSYAS are 12 per octave - Western tuning, but it may be possible to tell something from how similar to or different from Western tuning the music is.
Attribute Description
The first 116 columns are audio features of the track, and the last two columns (*latitude*, *longitude*) are the origin of the music.
