Musical actions of dihedral groups
From MaRDI portal
Abstract: The sequence of pitches which form a musical melody can be transposed or inverted. Since the 1970s, music theorists have modeled musical transposition and inversion in terms of an action of the dihedral group of order 24. More recently music theorists have found an intriguing second way that the dihedral group of order 24 acts on the set of major and minor chords. We illustrate both geometrically and algebraically how these two actions are {it dual}. Both actions and their duality have been used to analyze works of music as diverse as Hindemith and the Beatles.
Recommendations
Cited in
(19)- Hexatonic systems and dual groups in mathematical music theory
- An interactive tool for composing (with) automorphisms in the colored cube dance
- Formal structures of a harmony in the parabola
- Generalized Tonnetz and discrete Abel-Jacobi map
- Hamiltonian cycles in the topological dual of the Tonnetz
- \(n\)th roots of pitch-class inversion
- Imaginary transformations
- Generalized Tonnetze
- Irish dancing groups
- A Tonnetz model for pentachords
- Voicing transformations of triads
- scientific article; zbMATH DE number 2099194 (Why is no real title available?)
- Musical pitch quantization as an eigenvalue problem
- A detailed list and a periodic table of set classes
- Increasingly enumerable submonoids of \(\mathbb{R}\): music theory as a unifying theme
- Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks
- From Schritte and Wechsel to Coxeter Groups
- Non-contextual JQZ transformations
- Constraint-based systems of triads and seventh chords, and parsimonious voice-leading
This page was built for publication: Musical actions of dihedral groups
Report a bug (only for logged in users!)Click here to report a bug for this page (MaRDI item Q3107074)