Publication | Date of Publication | Type |
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Classification of Musical Objects for Analysis and Composition | 2023-08-29 | Paper |
Making musical time | 2023-01-04 | Paper |
A projection-oriented mathematical model for second-species counterpoint | 2022-08-18 | Paper |
Functorial semiotics for creativity in music and mathematics | 2022-06-15 | Paper |
Modulation in tetradic harmony and its role in jazz | 2021-06-11 | Paper |
Functorial semiotics for creativity | 2021-06-11 | Paper |
The Future of Music | 2020-04-08 | Paper |
Contrapuntal Aspects of the Mystic Chord and Scriabin’s Piano Sonata No. 5 | 2019-10-17 | Paper |
ComMute—Towards a Computational Musical Theory of Everything | 2019-10-17 | Paper |
The topos of music I: theory. Geometric logic, classification, harmony, counterpoint, motives, rhythm | 2018-03-09 | Paper |
The topos of music II: performance. Theory, software, and case studies | 2018-03-09 | Paper |
The topos of music III: gestures. Musical multiverse ontologies | 2018-03-09 | Paper |
The topos of music IV: roots. Appendices | 2018-03-09 | Paper |
Mathematical music theory and the musical math game -- two creative ontological switches | 2018-01-04 | Paper |
Global functorial hypergestures over general skeleta for musical performance | 2017-01-26 | Paper |
Cool math for hot music. A first introduction to mathematics for music theorists | 2016-11-18 | Paper |
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality | 2015-08-20 | Paper |
Computational counterpoint worlds. Mathematical theory, software, and experiments | 2014-12-15 | Paper |
Computational musicology in Hindustani music | 2014-12-15 | Paper |
Towards a Categorical Theory of Creativity for Music, Discourse, and Cognition | 2013-08-05 | Paper |
Hypergesture Homology for Performance Stemmata with Lie Operators | 2013-08-05 | Paper |
Singular homology on hypergestures | 2013-05-30 | Paper |
Thinking music with precision, depth, and passion | 2013-05-30 | Paper |
Mazzola's response to Wiggins’ position paper | 2013-05-30 | Paper |
Mazzola's response to Marsden's text | 2013-05-30 | Paper |
Celebrating Rudolf Wille's 75th anniversary and his contributions to mathematical music theory | 2013-05-30 | Paper |
Musical Composition and Gestural Diagrams | 2011-06-24 | Paper |
https://portal.mardi4nfdi.de/entity/Q3007107 | 2011-06-21 | Paper |
Classification of complex musical structures by Grassmann schemes | 2011-04-20 | Paper |
Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata | 2009-10-21 | Paper |
Motivic analysis according to Rudolph Réti: formalization by a topological model | 2009-03-10 | Paper |
Diagrams, gestures and formulae in music | 2008-08-05 | Paper |
Hidden symmetries of classical tonality in Schönberg's dodecaphonic compositions | 2008-06-27 | Paper |
https://portal.mardi4nfdi.de/entity/Q5453718 | 2008-04-03 | Paper |
https://portal.mardi4nfdi.de/entity/Q5295585 | 2007-07-30 | Paper |
https://portal.mardi4nfdi.de/entity/Q5295586 | 2007-07-30 | Paper |
Comprehensive mathematics for computer scientists. 1. Sets and numbers, graphs and algebra, logic and machines, linear geometry | 2006-11-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q5314998 | 2005-09-05 | Paper |
https://portal.mardi4nfdi.de/entity/Q5315001 | 2005-09-05 | Paper |
https://portal.mardi4nfdi.de/entity/Q5315002 | 2005-09-05 | Paper |
Comprehensive mathematics for computer scientists. 2. Calculus and ODEs, splines, probability, Fourier and wavelet theory, fractals and neural networks, categories and lambda calculus | 2005-02-09 | Paper |
Comprehensive mathematics for computer scientists. 1: Sets and numbers, graphs and algebra, logic and machines, linear geometry | 2004-11-29 | Paper |
https://portal.mardi4nfdi.de/entity/Q4815727 | 2004-09-07 | Paper |
https://portal.mardi4nfdi.de/entity/Q4815728 | 2004-09-07 | Paper |
Analyzing musical structure and performance -- a statistical approach | 2004-05-27 | Paper |
https://portal.mardi4nfdi.de/entity/Q4791647 | 2003-01-29 | Paper |
https://portal.mardi4nfdi.de/entity/Q4541517 | 2002-08-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q2728963 | 2001-11-04 | Paper |
https://portal.mardi4nfdi.de/entity/Q3995139 | 1992-09-17 | Paper |
https://portal.mardi4nfdi.de/entity/Q3999434 | 1992-09-17 | Paper |
Mathematical theory of music: status quo 1990 | 1992-06-25 | Paper |
A symmetry-oriented mathematical model of classical counterpoint and related neurophysiological investigations by depth EEG | 1989-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q3691613 | 1985-01-01 | Paper |
Generic finite schemes and Hochschild cocycles | 1980-01-01 | Paper |
The algebraic and geometric classification of associative algebras of dimension five | 1979-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q4175713 | 1978-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q4143493 | 1976-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q4122066 | 1975-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q4094977 | 1974-01-01 | Paper |
https://portal.mardi4nfdi.de/entity/Q4094978 | 1974-01-01 | Paper |
Diophantische Gleichungen und die universelle Eigenschaft Finslerscher Zahlen | 1973-01-01 | Paper |
The theorem on the decomposition of Finsler numbers in prime factors | 1972-01-01 | Paper |
The Cofinal Character of Uniform Spaces and Ordered Fields | 1971-01-01 | Paper |
Finslersche Zahlen | 1969-01-01 | Paper |