Phononic band gaps in linearized elasticity
DOI10.1016/J.CRMA.2005.04.026zbMATH Open1116.74027OpenAlexW1999011963MaRDI QIDQ2484548FDOQ2484548
Authors: A. I. Ávila, G. Griso, Bernadette Miara
Publication date: 1 August 2005
Published in: Comptes Rendus. Mathématique. Académie des Sciences, Paris (Search for Journal in Brave)
Full work available at URL: https://doi.org/10.1016/j.crma.2005.04.026
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Homogenization in context of PDEs; PDEs in media with periodic structure (35B27) Linear waves in solid mechanics (74J05) Homogenization and oscillations in dynamical problems of solid mechanics (74Q10) Existence of solutions of dynamical problems in solid mechanics (74H20) Equations linearized about a deformed state (small deformations superposed on large) (74B15)
Cites Work
Cited In (14)
- Nonlocal approaches to the dynamics of metamaterials
- Asymptotic analysis of high-contrast phononic crystals and a criterion for the band-gap opening
- Wave propagation in an elastically supported string with point-wise defects: gap-band and pass-band effects
- Minimization variational principles for acoustics, elastodynamics and electromagnetism in lossy inhomogeneous bodies at fixed frequency
- On modifications of Newton's second law and linear continuum elastodynamics
- Numerical simulation of acoustic band gaps in homogenized elastic composites
- Band gaps and vibration of strongly heterogeneous Reissner-Mindlin elastic plates
- Elastic wave band gaps in magnetoelectroelastic phononic crystals
- Quasi-periodic two-scale homogenisation and effective spatial dispersion in high-contrast media
- Vibrations of Lattice Structures and Phononic Band Gaps
- Realizable response matrices of multi-terminal electrical, acoustic and elastodynamic networks at a given frequency
- Analytical formulation of three-dimensional dynamic homogenization for periodic elastic systems
- Towards the conception of complex engineering meta-structures: relaxed-micromorphic modelling of low-frequency mechanical diodes/high-frequency screens
- Title not available (Why is that?)
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