The fourth dimension and non-Euclidean geometry in modern art
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Publication:2842980
zbMATH Open1270.00036MaRDI QIDQ2842980FDOQ2842980
Authors: Linda Dalrymple Henderson 
Publication date: 9 August 2013
Cited In (11)
- The reception of Einstein's relativity theories in literature and the arts (1920-1950)
- Im Reich der unbegrenzten Möglichkeiten – Die vierte Dimension in Mathematik, Kunst und Philosophie
- Aestheticizing an Einsteinian world: the idea of space-time in Russian literary theory and in art criticism
- To Kirsti: `From art history with love' perspective: then and now, and artistic practice
- Graph theory as a recurring theme in a series of mathematics and art course modules
- How useful is the term `modernism' for understanding the history of early twentieth-century mathematics?
- Alicia Boole Stott, a geometer in higher dimension
- Coxeter on people and polytopes
- Cagli, Olson, Coxeter
- The Multivalent Fourth Dimension and the Impact of Claude Bragdon’s A Primer of Higher Space on Twentieth and Twenty-First Century Art
- A man and his square: Kasimir Malevich and the visualization of the fourth dimension
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