The Geometry of Musical Chords
From MaRDI portal
Publication:3101409
Recommendations
Cited in
(62)- Two musical orderings
- The Continuous Hexachordal Theorem
- Constructing geometrical spaces from acoustical representations
- scientific article; zbMATH DE number 1500609 (Why is no real title available?)
- Musical surfaces
- A model for tonal progressions of seventh chords
- scientific article; zbMATH DE number 5038484 (Why is no real title available?)
- Two disjoint independent bases in matroid-graph pairs
- Interplays of geometry and music: how to use geometry to analyze an artwork in order to compose a musical piece
- Geometry, iterated quantization and filtered voice-leading spaces
- All-interval structures
- Thinking music with precision, depth, and passion
- Topology of musical data
- Constrained voice-leading spaces
- Maximal area sets and harmony
- Maximally even sets and configurations: common threads in mathematics, physics, and music
- An algorithmic approach to South Indian classical music
- The chords theorem recalled to life at the turn of the eighteenth century
- Harmonic distance in intervals and chords
- Tone colour in music and bifurcation control
- A molecular logic of chords and their internal harmony
- Bridging scale theory and geometrical approaches to harmony: the voice-leading duality between complementary chords
- Geometry and the quest for theoretical generality
- Three Conceptions of Musical Distance
- Parsimonious graphs for the most common trichords and tetrachords
- Axiomatic scale theory
- From 2D to 3D: using geometry and group theory to model motivic structure in musical composition
- The inequality factor: skewness and kurtosis as a measure of set-class cohesion
- Toward the reconciliation of mathematical theories of voice leading
- The geometry of melodic, harmonic, and metrical hierarchy
- Lattice-based and topological representations of binary relations with an application to music
- scientific article; zbMATH DE number 2162227 (Why is no real title available?)
- scientific article; zbMATH DE number 2165657 (Why is no real title available?)
- Computational geometric aspects of rhythm, melody, and voice-leading
- Geometry of chords
- Generalized Tonnetz and discrete Abel-Jacobi map
- Pseudo-distances between chords of different cardinality on generalized voice-leading spaces
- A formal concept analysis of harmonic forms and interval structures
- Voicing transformations of triads
- Minimum many-to-many matchings for computing the distance between two sequences
- Chordal and timbral morphologies using Hamiltonian cycles
- The Minkowski geometry of numbers applied to the theory of tone systems
- Semipredictable dynamical systems
- The flow of harmony as a dynamical system
- Modelling the similarity of pitch collections with expectation tensors
- Exploring the space of perfectly balanced rhythms and scales
- Empirically testing \textit{Tonnetz}, voice-leading, and spectral models of perceived triadic distance
- Arithmetic of Heisenberg ring and cyclic group actions
- Why topology?
- Anosov actions of isometry groups on Lorentzian 2-orbifolds
- Fourier phase and pitch-class sum
- Distant neighbors and interscalar contiguities
- Formalization of voice-leadings and the nabla algorithm
- Hypercube + Rubik's cube + music = hypercubeharmonic
- N2D3P9
- Generalized Tonnetze
- Bifurcation control and sound intensities in musical art
- Contemporary methods in mathematical music theory: a comparative case study
- Parsimonious sequences of finite sets and their applications to chord progressions and music composition
- scientific article; zbMATH DE number 7720349 (Why is no real title available?)
- Genredynamics: a perceptual calculus of genre
- Fishing for complements with chord, scale, and rhythm nets
This page was built for publication: The Geometry of Musical Chords
Report a bug (only for logged in users!)Click here to report a bug for this page (MaRDI item Q3101409)
