Visualizing Temperaments: Squaring the Circle?

DOI10.1007/978-3-030-21392-3_27zbMATH Open1456.00059OpenAlexW2952535247MaRDI QIDQ5237285FDOQ5237285

Authors: Gilles Baroin, André Calvet 

Publication date: 17 October 2019

Published in: Mathematics and Computation in Music (Search for Journal in Brave)

Full work available at URL: https://doi.org/10.1007/978-3-030-21392-3_27

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zbMATH Keywords

visualizationhyperspheretemperament

Mathematics Subject Classification ID

Mathematics and music (00A65)

Cites Work

• Title not available (Why is that?)
• Hamiltonian cycles in the topological dual of the Tonnetz
• The Planet-4D Model: An Original Hypersymmetric Music Space Based on Graph Theory

Cited In (7)

• GEOMETRY OF EMOTIONS REVISITED: WHY DO EMOTIONS FORM A CIRCLE?
• Musical pitch quantization as an eigenvalue problem
• Constructing an optimal circulating temperament based on a set of musical requirements
• Two-dimensional visual inspection of pitch-space, many time-scales and tonal uncertainty over time
• When virtual reality helps fathom mathemusical hyperdimensional models
• On the construction, comparison, and exchangeability of tuning systems
• Gauge symmetries of musical and visual forces

Uses Software

• Planet-4D

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