Mathematics and music theory: from Pythagoras to Rameau

DOI10.1007/BF03025314zbMATH Open1026.00008WikidataQ60016869 ScholiaQ60016869MaRDI QIDQ697116FDOQ697116

Authors: Athanase Papadopoulos 

Publication date: 16 September 2002

Published in: The Mathematical Intelligencer (Search for Journal in Brave)

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zbMATH Keywords

harmonymusicJean-Philippe RameauPythagoras

Mathematics Subject Classification ID

General applied mathematics (00A69) History of Greek and Roman mathematics (01A20) History of mathematics in the 18th century (01A50) History of number theory (11-03)

Cites Work

• The liberal arts
• More on the Superparticular Ratios in Music

Cited In (14)

• Title not available (Why is that?)
• Ancient harmonic law
• Max-algebra and pairwise comparison matrices. II.
• Title not available (Why is that?)
• Title not available (Why is that?)
• Title not available (Why is that?)
• Two examples of the use of mathematics in music in the early fourteenth century
• Music between hearing and counting (a historical case chosen within continuous long-lasting conflicts)
• Arithmetic, geometric and harmonic means in music theory
• Dynamical systems, celestial mechanics, and music: Pythagoras revisited
• Breve exposición formal del sistema musical diatónico: una exégesis de los escritos de Antoine Fabre D’Olivet sobre los principios de la música
• Mathematical approaches to defining the semitone in antiquity
• Title not available (Why is that?)
• Joseph Sauveur. Writings on music and acoustics. Edited, translated and with notes by Franck Jedrzejewski and Athanase Papadopoulos

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