A formal concept analysis of harmonic forms and interval structures

DOI10.1007/S10472-010-9198-6MaRDI QIDQ2430354zbMATH OpenOpenAlexFDO

Authors Tobias Schlemmer, Stefan E. Schmidt

Publication date 6 April 2011

Published in Annals of Mathematics and Artificial Intelligence (Search for Journal in Brave)

Full work available at URL https://doi.org/10.1007/s10472-010-9198-6

zbMATH Keywords

intervalharmonic formformal concept latticemusicology

Mathematics Subject Classification ID

Knowledge representation (68T30) Galois correspondences, closure operators (in relation to ordered sets) (06A15) Complete lattices, completions (06B23) Mathematics and music (00A65)

Recommendations

• Using formal concept analysis to represent chroma systems
• Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology
• The Basic Theorem on Labelled Line Diagrams of Finite Concept Lattices
• The Geometry of Musical Chords
• Lattice-based and topological representations of binary relations with an application to music

Cites work

• scientific article; zbMATH DE number 3775450 (Why is no real title available?)
• scientific article; zbMATH DE number 1249514 (Why is no real title available?)
• Concept Lattice Orbifolds – First Steps
• Towards a Semantology of Music

Cited in

(6)

• Using formal concept analysis to represent chroma systems
• Structure of phenomenological forms: morphologic rhythm
• Bridging scale theory and geometrical approaches to harmony: the voice-leading duality between complementary chords
• Formal structures of a harmony in the parabola
• Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology
• Lattice-based and topological representations of binary relations with an application to music

This page was built for publication: A formal concept analysis of harmonic forms and interval structures

Report a bug (only for logged in users!)Click here to report a bug for this page (MaRDI item Q2430354)