Music of moduli spaces

DOI10.4171/EMSS/75MaRDI QIDQ6149849zbMATH OpenOpenAlexFDO

Authors Robert Penner

Publication date 6 February 2024

Published in EMS Surveys in Mathematical Sciences (Search for Journal in Brave)

Full work available at URL https://arxiv.org/abs/2109.05600

zbMATH Keywords

lambda lengths mapping class groups Riemann moduli spaces

Mathematics Subject Classification ID

Teichmüller theory for Riemann surfaces (30F60)

Abstract: A musical instrument, the plastic hormonica, is defined here as a birthday present for Dennis Sullivan, who pioneered and helped popularize the hyperbolic geometry underlying its construction. This plastic hormonica is based upon the Farey tesselation of the Poincare disk decorated by its standard osculating horocycles centered at the rationals. In effect, one taps or holds points of another tesselation tau with the same decorating horocycles to produce sounds depending on the fact that the lambda length of e in tau with this decoration is always an integer. Explicitly, tapping a decorated edge e in tau with lambda length lambda produces a tone of frequency 440 xi^{lambda-12N}, where xi^{12}=2 and N is some positive integer shift of octave. Another type of tap on edges of tau is employed to apply flips, which may be equivariant for a Fuchsian group preserving tau. Sounding the frequency for the edge after an equivariant flip, one can thereby audibly experience paths in Riemann moduli spaces and listen to mapping classes. The resulting chords, which arise from an ideal triangle complementary to tau by sounding the frequency of its frontier edges, correspond to a generalization of the classical Markoff triples, which are precisely the chords that arise from the once-punctured torus. In the other direction, one can query the genera of specified musical pieces.

Review text

Summary: A musical instrument, the plastic hormonica, is defined here as a birthday present for Dennis Sullivan, who pioneered and helped popularize the hyperbolic geometry underlying its construction. This plastic hormonica is based upon the Farey tessellation of the Poincaré disk decorated by its standard osculating horocycles centered at the rationals. In effect, one taps or holds points of another tessellation \(\tau\) with the same decorating horocycles to produce sounds depending on the fact that the lambda length of \(e \in \tau\) with this decoration is always an integer. Explicitly, tapping a decorated edge \(e \in \tau\) with lambda length \(\lambda\) produces a tone of frequency \(440\ \xi^{\lambda - 12N}\), where \(\xi^{12} = 2\) and \(N\) and is some fixed positive integer shift of octave. Another type of tap on edges of \(\tau\) is employed to apply flips, which may be equivariant for a Fuchsian group preserving \(\tau\). Sounding the frequency for the edge after an equivariant flip, one can thereby audibly experience paths in Riemann moduli spaces and listen to mapping classes. The resulting chords, which arise from an ideal triangle complementary to \(\tau\) by sounding the frequencies of its frontier edges, correspond to a generalization of the classical Markoff triples, which are precisely the chords that arise from the once-punctured torus. In the other direction, one can query the genera of specified musical pieces.

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Ortho-integral surfaces

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