Architecture, mathematics and theology in Raphael's paintings

DOI10.1007/978-3-0348-0139-3_3MaRDI QIDQ2909458zbMATHOpenAlexFDO

Authors David Speiser

Publication date 30 August 2012

Published in Crossroads: History of Science, History of Art (Search for Journal in Brave)

Full work available at URL https://doi.org/10.1007/978-3-0348-0139-3_3

zbMATH Keywords

perspectivedrawingPietro PeruginoRaphael Sanzio da Urbino

Mathematics Subject Classification ID

Mathematics and visual arts (00A66) History of mathematics in the 15th and 16th centuries, Renaissance (01A40) Mathematics and architecture (00A67)

Recommendations

• scientific article; zbMATH DE number 1021610
• Optical illusions in Rome. A mathematical travel guide. Translated from the Danish by Viktor Blåsjö
• Geometry and painting.
• Geometry hidden in paintings.
• A mathematical analysis of Masaccio's \textit{Trinity}

Cited in

(6)

• scientific article; zbMATH DE number 2205991 (Why is no real title available?)
• Leonardo's representational technique for centrally-planned temples
• Geometry hidden in paintings.
• An unusual \textit{Sacra Conversazione} by Giovanni Bellini
• Science and art.
• ``Where natural law holds no sway: geometrical optics and divine light in Dante, Michelangelo, and Raphael

This page was built for publication: Architecture, mathematics and theology in Raphael's paintings

Report a bug (only for logged in users!)Click here to report a bug for this page (MaRDI item Q2909458)