Mathematical conceptual changes in Renaissance music

MaRDI QIDQ2928871zbMATH OpenFDO

Authors Oscar João Abdounur

Publication date 10 November 2014

Published in Gaṇita-Bhāratī (Search for Journal in Brave)

zbMATH Keywords

music theorymusical ratiossuperparticular ratiosErasmus of Höritz

Mathematics Subject Classification ID

History of mathematics in the 15th and 16th centuries, Renaissance (01A40) Mathematics and music (00A65)

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Cited in

(7)

• Two examples of the use of mathematics in music in the early fourteenth century
• Taming the irrational through musical diagrams -- from Boethius to Oresme and Nemorarius
• The Mathematical Contributions of Francesco Maurolico to the Theory of Music of the 16th Century (The Problems of a Manuscript)
• Music and mathematics in late medieval and early modern Europe
• Hearing the irrational: music and the development of the modern concept of number
• scientific article; zbMATH DE number 5615686 (Why is no real title available?)
• Structural transformations in the relationships between mathematics and music up to the Renaissance and the emergence of the idea of number as a continuous quantity

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