Pages that link to "Item:Q2942292"
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The following pages link to Mathematics and Computation in Music (Q2942292):
Displaying 50 items.
- A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting (Q2942293) (← links)
- Renotation from Optical Music Recognition (Q2942294) (← links)
- Foundations for Reliable and Flexible Interactive Multimedia Scores (Q2942295) (← links)
- Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation (Q2942297) (← links)
- Describing Global Musical Structures by Integer Programming on Musical Patterns (Q2942300) (← links)
- Improved Iterative Random Walk for Four-Part Harmonization (Q2942302) (← links)
- Location Constraints for Repetition-Based Segmentation of Melodies (Q2942305) (← links)
- Modeling Musical Structure with Parametric Grammars (Q2942306) (← links)
- Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters (Q2942307) (← links)
- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals (Q2942309) (← links)
- A Corpus-Sensitive Algorithm for Automated Tonal Analysis (Q2942310) (← links)
- Finding Optimal Triadic Transformational Spaces with Dijkstra’s Shortest Path Algorithm (Q2942312) (← links)
- A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation (Q2942316) (← links)
- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality (Q2942317) (← links)
- Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm (Q2942320) (← links)
- Logistic Modeling of Note Transitions (Q2942322) (← links)
- Cross Entropy as a Measure of Musical Contrast (Q2942326) (← links)
- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming (Q2942329) (← links)
- Applications of DFT to the Theory of Twentieth-Century Harmony (Q2942330) (← links)
- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute (Q2942332) (← links)
- A Statistical Approach to the Global Structure of John Cage’s Number Piece $${Five}^5$$ (Q2942333) (← links)
- Exact Cover Problem in Milton Babbitt’s All-Partition Array (Q2942336) (← links)
- Constructing Geometrical Spaces from Acoustical Representations (Q2942338) (← links)
- Geometry, Iterated Quantization and Filtered Voice-Leading Spaces (Q2942339) (← links)
- Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading (Q2942340) (← links)
- All-Interval Structures (Q2942341) (← links)
- Unifying Tone System Definitions: Ordering Chromas (Q2942342) (← links)
- A Categorical Generalization of Klumpenhouwer Networks (Q2942343) (← links)
- The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis (Q2942345) (← links)
- Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines (Q2942348) (← links)
- Can a Musical Scale Have 14 Generators? (Q2942349) (← links)
- On the Step-Patterns of Generated Scales that are Not Well-Formed (Q2942350) (← links)
- Triads as Modes within Scales as Modes (Q2942351) (← links)
- Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature (Q2942353) (← links)
- Subsumption of Vertical Viewpoint Patterns (Q3009785) (← links)
- Building Topological Spaces for Musical Objects (Q3009787) (← links)
- A Model for Collective Free Improvisation (Q3009788) (← links)
- On a Class of Locally Symmetric Sequences: The Right Infinite Word Λ θ (Q3009789) (← links)
- Sensitive Interval Property for Scales as Words in the Free Group F2 (Q3009790) (← links)
- Commuting Groups and the Topos of Triads (Q3009791) (← links)
- Spelled Heptachords (Q3009792) (← links)
- Fundamental Passacaglia: Harmonic Functions and the Modes of the Musical Tetractys (Q3009794) (← links)
- Musical Tonality, Neural Resonance and Hebbian Learning (Q3009795) (← links)
- Interval Cycles, Affinity Spaces, and Transpositional Networks (Q3009797) (← links)
- Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty over Time (Q3009800) (← links)
- Musical Composition and Gestural Diagrams (Q3009801) (← links)
- Tonal Scales and Minimal Simple Pitch Class Cycles (Q3009802) (← links)
- Scratching the Scale Labyrinth (Q3009804) (← links)
- N th Roots of Pitch-Class Inversion (Q3009805) (← links)
- Cardinality Transformations in Diatonic Space (Q3009807) (← links)
