Three Conceptions of Musical Distance
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- scientific article; zbMATH DE number 5967646
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Cited in
(19)- Continuous chromagrams and pseudometric spaces of sound spectra
- Formal structures of a harmony in the parabola
- Constrained voice-leading spaces
- Empirically testing \textit{Tonnetz}, voice-leading, and spectral models of perceived triadic distance
- Constructing geometrical spaces from acoustical representations
- Generalized voice-leading spaces
- Lerdahl's tonal pitch space model and associated metric spaces
- Modelling the similarity of pitch collections with expectation tensors
- A Tonnetz model for pentachords
- Two musical orderings
- Why topology?
- Generalized \textit{Tonnetze} and \textit{Zeitnetze}, and the topology of music concepts
- Gauge models of musical forces
- Harmonic distance in intervals and chords
- Pseudo-distances between chords of different cardinality on generalized voice-leading spaces
- Fourier phase and pitch-class sum
- Formalization of voice-leadings and the nabla algorithm
- In quest of musical vectors
- A model for tonal progressions of seventh chords
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