Topology of musical data
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Abstract: The musical realm is a promising area in which to expect to find nontrivial topological structures. This paper describes several kinds of metrics on musical data, and explores the implications of these metrics in two ways: via techniques of classical topology where the metric space of all-possible musical data can be described explicitly, and via modern data-driven ideas of persistent homology which calculates the Betti-number bar-codes of individual musical works. Both analyses are able to recover three well known topological structures in music: the circle of notes (octave-reduced scalar structures), the circle of fifths, and the rhythmic repetition of timelines. Applications to a variety of musical works (for example, folk music in the form of standard MIDI files) are presented, and the bar codes show many interesting features. Examples show that individual pieces may span the complete space (in which case the classical and the data-driven analyses agree), or they may span only part of the space.
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Cited in
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- Towards a topological fingerprint of music
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- scientific article; zbMATH DE number 1305027 (Why is no real title available?)
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- Topological structures in computer-aided music analysis
- scientific article; zbMATH DE number 2099191 (Why is no real title available?)
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- Homological persistence in time series: an application to music classification
- Some remarks on hypergestural homology of spaces and its relation to classical homology
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- Classification of Turkish \textit{makam} music: a topological approach
- A Topological Approach of Musical Relationships
- Genredynamics: a perceptual calculus of genre
- Topological data analysis of Korean music in Jeongganbo: a cycle structure
- A framework for topological music analysis (TMA)
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