Computational geometric aspects of rhythm, melody, and voice-leading
DOI10.1016/J.COMGEO.2007.01.003zbMATH Open1175.65034OpenAlexW2116417064MaRDI QIDQ733549FDOQ733549
Authors: Godfried Toussaint
Publication date: 16 October 2009
Published in: Computational Geometry (Search for Journal in Brave)
Full work available at URL: https://doi.org/10.1016/j.comgeo.2007.01.003
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algorithmsconvolutioncomputational geometrynecklacescomputational music theorysequence comparisonevenness measuresmelodymusic information retrievalmusical rhythmrhythm similarityvoice-leading
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Cited In (12)
- Iterative method of construction for almost smooth rhythms
- Computing melodic templates in oral music traditions
- Derivative-free mixed binary necklace optimization for cyclic-symmetry optimal design problems
- The geometry of musical rhythm. What makes a ``good rhythm good?
- Scaling and compressing melodies using geometric similarity measures
- Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading
- Scalar context in musical models
- Asymmetric polygons with maximum area
- Mathematics and flamenco: an unexpected partnership
- The Geometry of Musical Rhythm
- The geometry of melodic, harmonic, and metrical hierarchy
- Characterization of extremal antipodal polygons
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